Minoru Yamasaki FAIA, Architect
One Woodward Avenue, Detroit MI 48226
Kevin Roche, Roche-Dinkeloo, KRJDA Architects
College Life Insurance Company of America Headquarters
College Park, Indianapolis, IN
Visited October 27 2013
KRJDA Website post on the Pyramids – look at the tab with the architectural models and drawings to see the master plan which included 9 pyramids.
Ryan Thewes Architect (of the Bow House)
249 33rd Ave. N, Nashville, TN
Visited March 17 2012
On the side of a hill overlooking the freeway and Centennial Park, with the Nashville Skyline in the distance, is a cluster of new contemporary houses. Before my trip to Nashville I did some searching for interesting architecture to visit while there. I came upon the “Bow House” by architect Ryan Thewes. It was named for the bow trusses which form the dramatic roof structure. In locating the house I found that it was part of a small group of similar homes at the end of a rather traditional neighborhood. I do not know who the other architects are, but there is an interesting variety of “Dwell” like houses in this enclave.
Coop Himmelb(l)au, Architect
One South High, Akron, OH 44308
Visited May 31-June 1, 2011
The Knight Building Addition was the focus of my last roadtrip, and it did not disappoint. I had seen a few photographs on line and wanted to experience it for myself.
The dynamic composition is composed of 3 main elements- the angled glass entry “Crystal”, the cantilevered roof “Clouds”, and the rectangular “Gallery Box”. All of this is placed in the 1899 original Museum Building’s back yard. The link to the original building is a main level glass connection in the middle of the rear facade, the top of which aligns with an existing stone sill band. The angled glass framework of the “Crystal” has a chevron shaped edge which keeps its distance around the eave of the original building.
Driving up the hill on Market Street, one of the cantilevered “Clouds” dramatically hovers over the original museum- in fact beyond the building, over the sidewalk and a portion of the street to announce the presence of the addition behind.
What I was curious about was how were the galleries handled in the addition. Was this attention-getting concoction just a folly? Was is designed to showcase and display Akron’s artwork treasures, or just to display itself and promote Coop Himelb(l)au? I am pleased to report that the galleries displayed a pretty impressive collection of artwork very well indeed. The architect’s flair for the dramatic stopped at the tall glass gallery doors, and once inside the artwork was the star. After wandering by Warhol’s Single Elvis and Brillo Boxes; and Chuck Close’s Linda, I ventured into the M.C. Escher temporary exhibit. I was impressed with the incredible detail in Escher’s original lithographs and wood cuts, which is lost in the ubiquitous monographs on the sale shelf at the Border’s and Barnes & Noble stores. I clearly remembered the artwork. The gallery did what a gallery should do – displayed the artwork. Well Done.